Showing posts with label Ewen Bremner. Show all posts
Showing posts with label Ewen Bremner. Show all posts

Friday, January 21, 2011

Snatch

Most of the time, when there is a heist in a film, it is the focus of the plot.  That makes sense, after all; most normal people don't commit high-stakes armed robbery, so it provides a little escapism for audiences.  Of course, there have been notable films where the robbery was not the focal point, but still an important part of the script.  In the case of Reservoir Dogs, the heist isn't in the movie, but the plot focuses on the aftermath of a robbery gone wrong.  Snatch is a little different, though.  Yes, there is a robbery.  Technically, the same item is stolen several times.  But this is a movie that is more about the awesomeness of incoherent gypsies than it is about any heist.

Snatch is one of those ensemble movies where a dozen or more characters have intersecting plot lines that twist and turn all over the place, so summarizing the plot is perhaps not the best way to describe this movie.  There are only two constants in this plot.  First, New York gangster Avi (Dennis Farina) wants to get his hands on the diamond he hired Frankie Four Fingers (Benicio del Toro) to steal from Antwerp, but he's not the only one who knows that the jewel is in Frankie's possession.  Second, local crime lord Brick Top (Alan Ford) needs competition for his illegal (and known to be crooked) underground boxing matches; he sets his sights on an honest local manager, Turkish (Jason Statham), who needs to deliver a good fight for Brick Top, or quite possibly die a gruesome death.  Everything else feeds into those two seemingly separate plots.

While that actually sums up the plot decently well, I can't review Snatch and not mention the myriad colorful characters sprinkled throughout.  While I wouldn't say that any of these characters are well-developed or sympathetic, most of them are entertaining.  The highlight of the film definitely comes from the "fookin' pikeys," which is a rude British term for Irish Travelers (you know...gypsies); Mickey (Brad Pitt) leads the group of dirty, swindling, and heavy-drinking gamblers, with Jason Flemyng playing his number two.  The pikeys are almost impossible to understand, which adds to their unwashed charm.

The next best characters are probably the duo of Bullet Tooth Tony (Vinnie Jones) and Boris the Blade, AKA Boris the Bullet Dodger (Rade Serbedzija); both are notoriously hard to kill, both are pretty bad-ass, and they each have several memorable moments in the movie.  Beyond them, there is an assortment of lesser characters, like the group of inept criminals hired to rob Frankie Four Fingers (including Robbie Gee and Lennie James), Turkish's partner Tommy (Stephen Graham) and a snitch (Ewen Bremner).

While it is billed as a crime picture, this is really more of a comedy than anything else.  Sure, there's some action, but it is not the focus; the initial diamond heist took about two minutes of film time and even the final boxing match is only about five minutes long.  The characters flash across the screen quickly, as does the plot, with everything slowing down only for jokes.  Unfortunately, many of those jokes aren't very good.  Well, to be fair, they're not real jokes; they're regular dialogue that is supposed to stick out and be funny.  Sometimes, this works out great.  Anything with Brad Pitt speaking is great.  Most of Vinnie Jones' lines are good, especially his explanation for how Boris the Bullet Dodger got his nickname.  Dennis Farina was also very entertaining whenever he got to be overly rude.  But for every great moment, there is at least one joke that truly fails.  They fall into a category that I like to call "repeater jokes."  You have one character saying the same thing (maybe with slight variations) several times, with other characters reacting to it with increasing exasperation; you can inverse the gag, but it's even worse.  Here's an example: Jason Statham asks a guy when the sausages will be done cooking, he is told two minutes; he asks again, and is told two minutes; he asks again and is told five minutes; Jason, frustrated, explains that it was two minutes five minutes ago.  If you're not on the floor with tears in your eyes after reading that, then you agree with me: not funny, guys.  I also found the inept criminals annoying, too, but the repeater jokes are just awful.  They're not funny and they slow the flow of an otherwise fast-paced film.

This was the second film Guy Ritchie directed, and he throws everything he has at the screen.  Slow motion, freeze frames, fast motion, a weird underwater effect, all while moving the camera all over the place.  It makes for a pretty kinetic movie, even when not much is going on, plot-wise.  You can justly critique his style as resembling Attention Deficit Disorder, but as long as the plot is chugging along, his style fits the film.  I'm not quite sure about Ritchie and his handling of actors, though.  He is probably a fun guy to be around, judging from all the actors that recur in his films, but he doesn't have much sense for timing anything but action, as we see when he slows down to tell unfunny jokes.

The acting is mostly entertaining, although nobody is really great in their part.  Brad Pitt is the film's shining performance, managing to be very likable despite being greasy, bearded, and speaking gibberish.  Aside from Pitt, I particularly enjoyed Vinnie Jones, Dennis Farina, and Rade Serbedzija; all of them played well within their comfort zones (criminals), but they were all darned good at it.  I'm not terribly familiar with Alan Ford, but I've liked him quite a bit in both of his Guy Ritchie movies, even if a large part of that like comes solely from his vulgar dialogue.  Oh, and Benicio del Toro was good is his bit role, but I was disappointed by just how small his part ended up being.  I was surprised to see Jason Statham play such an inconsequential part of the story; despite narrating the film, his character doesn't really do much to propel the plot.  In retrospect, it is also shocking that he doesn't fight a single person in this, his big American film debut, and he even manages to keep his shirt on for the whole movie.

So far, I think I can justly sum up Snatch as being a fast-paced crime caper with a focus on humor and eccentric characters.  It's not a deep film, but it's fun, even when it sabotages its momentum with repeater jokes.  On its own merits, this is kind of like the movie equivalent of junk food; it is enjoyable, but ultimately full of empty calories.  When you take a broader look at this film, though, you will see striking similarities to Ritchie's first film, Lock, Stock and Two Smoking Barrels.  I'm not talking about having Vinnie Jones, Jason Statham, Jason Flemyng, and Alan Ford in both movies, Matthew Vaughn as a producer, or even the fact that John Murphy did the score for both films.  The look and feel of both movies is nearly identical.  The way things end in both films is pretty similar, too.  Even the basic premise of a slightly crooked, but good, guy getting in over his head with a violent gangster is repeated.  Heck, Vinnie Jones' first scenes in both movies are barely distinguishable.  Snatch feels like an attempt to recreate Ritchie's breakthrough picture, but with Hollywood actors.  As such, most people like whichever movie they saw first, which is a shame; Snatch is funnier, but less consistent and less focused.

Having gotten that off my chest, I must admit that I still enjoy Snatch.  Yes, it's basically a repeat of a movie I really like.  Yes, it is all over the place, in terms of plot and characters.  No, I don't really care about any of the characters as anything other than props for action and foul-mouthed jokes.  But it is a damned good time, and it makes me laugh every time.
 This review was done by request.  So, there...service with a smile!

Tuesday, January 18, 2011

Alien vs. Predator (Extended Cut)

I like it when I can turn my brain off and enjoy a stupid action movie for exactly what it is: big, dumb and fun.  It's even better when the title tells me exactly what to expect --- Alien vs. Predator?  Awesome, I don't even have to wonder what the movie is going to be about.  The only thing better than a "vs." title would be a Jean-Claude Van Damme movie called I Slow-Motion Roundhouse Kick Many Men in the Face.  I happen to be a pretty big fan of both the Predator and Alien franchises, so this movie could (theoretically) be better than a dumb action movie; Alien is a smart thriller, while Predator and Aliens are awesome action movies.  Really, as long as AVP didn't take its cues from Alien: Resurrection, it could stand a chance of actually being good.

...And then the movie begins, and all hope is lost.  Alexa Woods (Sanaa Lathan) is ice picking her way up a remote frozen mountain when she gets a phone call.  My first reaction was, "You get reception there?  Who is your carrier?"  The caller is Maxwell Stafford (Colin Salmon), and he has a job offer for Alexa.  As she struggles to get to the top of the mountain, Alexa politely refuses the job because she is days away from civilization.  Just then, she reaches the top and Stafford is already there, with a helicopter.  Right there is the first inkling of how dumb this movie will be.  What, you can't wait two minutes for her to get to the top of the ice mountain, you have to call her immediately, Mr. Stafford?  And maybe you shouldn't startle someone on the edge of a cliff covered in ice.  Just a thought.  Jerk.  And wouldn't she have been somewhat aware of a helicopter landing near her?  It's not like she was going to be distracted by the noises of traffic surrounding her.  Whatever.

Stafford works for billionaire Charles Bishop Weyland (Lance Henriksen), who has assembled a diverse team of experts to investigate something unusual.  Alexa is the survival guide, Sebastian (Raoul Bova) is an expert in ancient Egyptians and hieroglyphs, and Graeme (Ewen Bremner) is a mineralogist.  There are some drilling experts and some mercenary soldiers (Tommy Flanagan, Agathe de La Boulaye, and a few others) in the group, as well.  The day before, a heat signature was picked up by one of Weyland's satellites that covers Antarctica; from the satellite images, he has determined that the heat comes from a vast pyramid structure several hundred yards beneath the ice on an island just off the coast of the frozen continent.  Obviously, rich guy wants more toys, so the expedition intends to find the heated object and claim it for himself, humanity, and his multinational communications company.  And, thanks to the expert knowledge of Sebastian, we now know that this pyramid has aspects of all known pyramids --- Egyptian, Peruvian, etc. --- so this could be the world's very first pyramid.  Because an educated archaeologist is willing to make ridiculous claims like that after glancing at some extrapolated images.  Are we sure this isn't based on a true story?

What is taking so long for us to get to the title subject matter?  Aliens?  Predators?  Either would be awesome right about now.  Well, the stupid humans enter the pyramid, only to find that it is all a trap; once they have entered, the pyramid changes the shape of its interior rooms every ten minutes (or whenever it is convenient for the plot).  Why?  Well, we can discuss that later.  The point is that some humans get stuck in a room where they are incapacitated long enough to be impregnated with baby Aliens in their chest.  Then Predators show up and kill all the Aliens as part of their training to become bigger, better Predators.  So, there you have it: Aliens vs. Predators.  And both against humans.

Perhaps the most surprising thing about this film is the fact that the basic plot mechanism behind it is based on a scientific theory.  Granted, it's not a widely accepted theory, but it's not something that writer/director Paul W.S. Anderson just pulled out of his butt, either.  The idea is loosely based on Erich von Däniken's book, Chariots of the Gods?, which postulates that ancient pyramids and religions were brought to the Earth by extraterrestrials, who were seen as gods by the primitive humans.  Personally, I find such sloppy pseduo-archaeology offensive to my intelligence, but it's not a bad idea for science fiction.  The movie tweaks it a little bit by making the pyramids a training ground for fledgling Predators as they fought the universe's ultimate prey, Aliens.  It's more complicated that I like in my action movie plots, and it will require a human to learn all this and be in awe, but it's not fundamentally terrible.  Besides, it sets up my favorite line in the whole film; at one point, Sebastian says "This is starting to make sense."  That cracks me up every time, because it must have taken that actor at least a dozen takes to say that with a straight face.

How do you screw up an idea like Aliens being hunted by Predators?  By focusing on the humans.  I'm sorry, Alexa and Sebastian (the film's only vaguely sympathetic characters), but I don't care if you live or die --- as long as your death is awesome, it's all good in my opinion.  "But we need a point of view character that is experiencing these scary monsters for the first time, like the audience."  No, we don't.  There were six other movies with these creatures; I think the movie-going public is pretty well-acquainted with these things.  But that is just a conceptual misstep.  It hurts the movie, yes, but you can still make a decent action flick with this basic story.

But then again, the specifics of the story are ridiculous.  Where to begin...?  If the Predators use Earth as a training ground, why haven't we seen them fighting Aliens on pyramids in the past (let's be generous) 100 years?  The flashback clips show the Predators fighting on some pyramids in what appeared to be Central America, which was heavily populated in pyramid-building times, so it's not like they were relegated to the Antarctic.  And even if they were, why do they need to lure humans there?  Why not kidnap them?  When all you're looking for is a warm body to incubate Alien babies, you don't need to be picky.  Let's just say that the reason humans have not witnessed Predators fighting Aliens in modern times is because they've been doing it under the tundra; why would they even have a pyramid there?  They weren't shy about building pyramids all around the globe.  Why are they bashful now?  And if humans are just walking nurseries for the Aliens, why do the Predators kill some of the humans before they even enter the pyramid?  I don't really care how stupid the core premise of an action movie is, but at least try to be consistent.

Man, analyzing this movie just ticks me off.  While this could have been a genuinely cool movie, it chose to be a dumb action movie.  Okay, I can live with that.  If you're going to gauge this flick by horror movie standards, there are over a dozen kills in this movie, not counting Predators or Aliens.  That's not a bad body count.  The final Predator has some pretty sweet kills, too, so at least one of the bad-ass hunters got a chance to be bad-ass.  And hollowing out an Alien skull to use as a shield?  That was awesome.  And how about the Predator spaceship?  The front of it was shaped like their masks.  I nearly spit all over myself when I first saw that.  It's like Jason Voorhies driving around Crystal Lake in a van with a giant hockey mask on the grill.  Actually, it's better than that --- it's like the Predators are ghetto fabulous winners of "Pimp My Spaceship."

But by focusing on the insignificant humans, who are (by the story's own admission) just cannon fodder, this movie truly fails.  Do you want to see a Rambo movie, told from the point of view of one of the three hundred henchmen Stallone blows the hell out of?  Of course not.  Unless it was a two minute short film, in which case, it could be pretty funny.  The same principle applies here.  I am more than okay with some brainless Alien and Predator kills; this movie has a couple that were pretty good, but the PG-13 rating definitely limits the quality of the its senseless violence.  And by taking the point of view away from the Predators (because, really, I don't think you can tell a story from an Alien POV), the filmmakers guaranteed that this movie would suck.  On the bright side, this movie did fulfill its promise of having Aliens and Predators fight each other.  So, let's review: ridiculous story, acting so inconsequential that I haven't even mentioned it until now, underwhelming action, and the wrong approach to a can't miss idea.  Yep.  That's a bad movie.  Even if it does, technically, live up to its title.