Twins

My memory of movies is kind of shoddy.  I can remember, in detail, where I was and who I was with for certain movies, but others just float in a memory vacuum.  I remember the movie fine, but I don't know when or why I watched it.  Twins is one of those mystery movies for me.  I know I enjoyed it as a kid, and I can recall a decent portion of the movie, but I don't know why I liked it or who I would have seen it with.  Maybe a look at the trailer will help jog my memory:

Even though I have seen Twins several times over the years, I can hardly believe that trailer was real.  It looks like someone trying to make a legitimate movie from a discarded SNL sketch.  It looks awful.  And yet I have positive memories of it?  I am definitely starting to doubt the merits of my nostalgia.  

Twins begins on a remote South Pacific island, where the inexplicably accented Julius (Arnold Schwarzenegger) is told for the first time that he has a twin brother.  Naturally, he assumes his brother will be a lot like him: impossibly fit, scientifically brilliant, and eager to be reunited with his family. 

Yes, I said "brilliant."  If you suspend your disbelief now, this movie will be much easier to watch.

Julius then hops in a raft and paddles his way to California to find his brother.  Naturally.  As it turns out, Julius' long-lost brother looks and acts nothing like him.  Hint: that's where the comedy comes in!  Vincent (Danny DeVito) is a short, fat, bald weasel of a man.  He aspires to white collar crime, but is willing to settle for stealing cars and selling them to chop shops.  In his free time, he constantly disappoints his on-again, off-again girlfriend, Linda (Chloe Webb).  When Julius finally (after one, maybe two scenes) tracks down Vincent, Vince is in jail.  Being a loving brother, Julius offers to pay the steep bail with his enormous briefcase of cash.  Of course, Vincent doesn't believe he is the twin brother of an Austrian bodybuilder, but he's not going to deny anyone the pleasure of getting him out of jail.  From that point on, all Julius has to do is convince Vincent that they are brothers and track down their missing parents.  And all Vincent has to do is stay one step ahead of some ruthless criminals who want to kill him.  That sounds like a pretty full plate for these two, but keep in mind that they both have to grow as people, learn to love, and waltz to a Jeff Beck cameo.

This is the movie that inspired the "Sounds legit" meme

The acting in Twins, while broad, isn't as goofy as the film's concept.  What is perhaps more surprising, in retrospect, is Arnold Schwarzenegger's competence in a comedic role.  Sure, he'd been funny on occasion in his action movies --- my personal favorite is him punching a horse in the face in Conan the Barbarian --- but this was his first real comedy.  His acting chops are clearly limited...

Arnold, reading his lines

...but his timing is actually pretty good.  Ahnuld is not a natural, but his stilted acting fits the innocence of his character and his broad expressions fit the gags in this movie.  Danny DeVito's performance is harder to describe.  In the beginning of the movie, he is the closest thing the audience has to a character that is thinking what they are thinking --- specifically, the phrase "Yeah, right," over and over again.

DeVito, discussing the plausibility of this script

As the film progresses, though, Vincent starts to believe.  That makes sense, because the audience is (hopefully) going through the same transition, if the film is working.  The way DeVito handles that change is to start acting consistently goofy to match Ahnuld's awkwardness.  That silliness is amplified by the fact that DeVito is forced to carry the dramatic moments in this movie because Schwarzenegger simply can't.  The ladies (Chloe Webb and Kelly Preston) were just fine in their supporting romantic roles.  They didn't have a lot of personality, but it was enough for their limited screen time.  It is worth pointing out that a young David Caruso has a small part in Twins as the parking attendant.  Sadly, he does not wear any sunglasses in this film.

YEEEEEAAAAAAAAAHHH!

Twins was directed by Ivan Reitman, toward the back-half of his incredibly successful run in the 80s and early 90s.  Reitman's skill set as a director seems to be allowing the talent to do their thing in front of the camera and edit it into a cohesive story later.  That method works when you've got an improvisational master like Bill Murray in your movies.  Replacing Murray with Schwarzenegger doesn't get the same result.  One side effect of that is a reliance on much, much broader comedy in Twins than in Reitman's best films, Stripes and Ghostbusters.  That's not necessarily a terrible thing, but it makes for a far more generic and formulaic comedy.

Except for the part where the brothers prepared to crush those poor, poor children

Reitman deserves credit for taking an absolutely ludicrous concept and making it into a watchable, even likable film.  That was not inevitable. 

It could have been much, much worse

What makes Twins work is how warm it is.  Yes, the plot is idiotic.  No, the acting is not very impressive.  Yes, the main concept also serves as the bulk of the film's jokes.  But it's pretty damn cute.  The physical comedy of the two brothers in sync, while not subtle, is well done.  The same goes for the ludicrous plot; as much as I want to hate this movie, seeing DeVito and Schwarzenegger with those puppy dog eyes, asking about their mom is downright adorable.  Is Twins a classic?  Definitely not.  It's pleasant, but utterly disposable entertainment that is almost immune to logic and scrutiny.  And it's pretty good for what it is.

Stripes

Bill Murray is one of the funniest actors in history, and his comedy seems effortless when he is at his best.  For my money, his best is in Stripes.  Why is that?  Maybe it's because he liked working with Ivan Reitman, his director in Meatballs, again.  Maybe he enjoyed the company and writing style of fellow Chicagoan and Second City alum Harold Ramis; this was their third film working together.  Maybe Murray was tired of playing supporting roles and was finally ready to be a leading man.  I don't really care why.  I'm just glad this movie was made.

Career slacker John Winger (Bill Murray) has lost his crappy job, his crappy car, and his too-attractive-for-him girlfriend in the matter of only a few hours.  With no real career options, his situation seems hopeless.  By chance, though, John and his buddy, Russell (Harold Ramis), see a commercial for the US Army on television.  Reasoning that the Army would get them into shape, give them a career path, and provide uniforms that seduce women on their own, the two sign up and are quickly sent off to basic training.  Why would Russell go with this whim?  Because his career teaching English to immigrants wasn't as exciting as he had hoped, I guess.

Harold Ramis: secret member of The Crystals

The reasons for their joining aren't terribly important (although, they do turn out to be poorly thought out).  What is important is that the two join a cast of misfits in basic training, and Winger goes out of his way to regularly irritate their drill sergeant, Sgt. Hulka (Warren Oates).  It turns out that Army training is hard and not terribly sympathetic to smart asses.  Who knew?

As I mentioned earlier, Bill Murray is on the top of his game here.  The chemistry between him and the rest of the cast is fantastic, particularly the banter between him and Harold Ramis.  Murray can sometimes seem a little bored in film roles when he is not allowed to be weird, but he clearly had a lot of freedom in this film.  I'm sure a lot of his lines were improvised, but his joke delivery here is great and the rest of the cast reacts perfectly.

Murray, about to give P.J. Soles the "Aunt Jemima" treatment

This was Harold Ramis' first substantial film role, but he did a good job playing the square to Murray's slacker.  Warren Oates was even better as their ornery drill sergeant.  He was basically playing the straight man to Murray, buy he also had a few little moments of his own.  My favorites include his reaction after being blown up and his involuntary chuckle after Winger refers to him as a "big toe."

This movie had a lot of up-and-comers in it, too.  Unfortunately, this was the last major film role for P.J. Soles; she wasn't a great actress here, but she played her part well enough (and didn't have to say "totally" for a change).  Sean Young had a small and fairly charisma-free performance as Russell's love interest, but how many interesting characters would have fallen for Harold Ramis?  This had to have been John Candy's big break; even though he had a small part in The Blues Brothers, he was really given a chance to shine in Stripes.  If nothing else, he deserves recognition for his Three Stooges homage during his mud wrestling scene.

So...the Stooges hurt women?

John Larroquette and Judge Reinhold also had early career appearances in this film (it was Reinhold's debut), and both were funnier here than in any other movie I can recall.  This is also one of career character actor John Diehl's biggest roles.  He did a good job as the hopelessly stupid recruit.  Bill Paxton and SCTV members Dave Thomas and Joe Flaherty have cameos in the movie; if you can't spot Paxton --- and it's pretty hard --- re-watch the mud wrestling scene. 

This is perhaps the pinnacle of director Ivan Reitman's decade-plus run of entertaining movies.  He has made movies with better stories and special effects, but there's a certain magic in Stripes that I can't imagine duplicating.  Reitman's talent as a comedy director is knowing how to work with comedians and then cut their performances into a cohesive plot.  He does that quite well here.  Perhaps his greatest achievement in Stripes was getting the use of Fort Knox to film the exterior army base scenes.  Would this movie have worked if there weren't real soldiers and tanks in the background?  Probably, but that authenticity made the antics of Winger seem all the more ridiculous.  Reitman also opted to include a couple of somewhat depressing dramatic scenes to balance the film out --- and they worked; the Hulka vs. Winger bathroom scene (the non-pornographic one) really makes a case for being a soldier.

Sure, the film loses some steam after basic training is completed.  What do you expect?  The drill routine during their graduation ceremony is all sorts of awesome; how can an Army movie follow that scene up?

HHHH-arrrmy training, SIR!

I'm not saying that the rest of the movie is bad, it's just nowhere near as amusing as the first hour.  The magazine cover cut-aways during the final scene are funny, but a little too similar to the end scenes of Animal House (which Ramis also co-wrote) for my tastes.  Essentially, my complains for Stripes can be boiled down to kind of imitating a successful comedy classic and a pacing problem...in a comedy.  Shocking allegations, I know, but I take controversial stances.

Stripes is a comedy classic showcasing a lot of young talent that would heavily influence the rest of the 1980s and it showcased Bill Murray having fun.  It doesn't get much better than this.

For fans of the movie that are curious about the Extended Cut, it doesn't provide much.  Aside from an awkward scene with a topless P.J. Soles, every cut scene deserved its place on the editing floor.  On a final note, I would like to point out just how far superior the primary movie poster (pictured at the top of this post) was to another poster that was made for the movie.  What, they thought that the main draw of the film was going to be the heavily armed RV?  Who approved this?

Ghostbusters

Have you ever really considered what a great logo the Ghostbusters have?  It's simple, but is iconic enough so anyone that sees it can get the gist of it, regardless of language.  Well, the occasional person might think it means "No KKK," but I think that's implied in most signage nowadays anyway.

Ray (Dan Aykroyd), Egon (Harold Ramis), and Peter (Bill Murray) are three parapsychological researchers with a grant at Columbia University.  Their research focuses on extrasensory abilities (like ESP) and the scientific possibilities for spirits to exist on the physical plane.  There are two great things about their work; it does not require hard results (Ray's reason) and is a great way to meet slightly gullible women (Peter's reason).  The three lose their grant and are forced out into the real world for the first time, so they do what any of us would do in a similar situation.  They purchase an abandoned firehouse and a used hearse, and open up a ghost capture service called the Ghostbusters.  Naturally, their actions coincide with an increase in paranormal activity and it's ultimately up to these goofballs to save the world.

Despite that surprisingly brief synopsis, I (like my entire generation) am a big fan of Ghostbusters.  It has a great cast, filled with some of the funniest people of the late 70s and early 80s.  Harold Ramis and Dan Aykroyd were still very funny people (their funniness seems to have decreased proportionally to their increase in weight over the years), and the script (which they co-wrote) has some of their better contextual jokes.  Ramis and Aykroyd have written some of the best subtle conversational humor in film history, and this script is full of it.  Of course, there is a decent part of the film that was at least partially improvised; are you telling me that you think that someone wrote exactly what came out of Bill Murray's mouth in this movie? I'll take the high road and just call you an idiot.  Even without Murray's fantastic improvisational talents, this is still a great script.  It's a comedy, sure, but it's a sci-fi movie first.  These guys could have gotten away with a plot that made absolutely no sense (Want proof?  Watch Aykroyd in Nothing But Trouble), but they actually based this in science.  Well, as much science as parapsychology has to back it up, anyway.

The plot and script are good, but a decent part of this film takes place with its supporting cast, so they are more important here than in other films.  Luckily, the supporting cast is pretty great.  Rick Moranis was funny as the socially awkward health food nut, Louis, but he was awesome once he was possessed by The Keymaster demon.  Likewise, Sigourney Weaver is a good fit for Murray as his love interest, Dana, and she does a good job hamming it up once she is possessed by a demon named Zuul.  Ernie Hudson primarily acts as a straight man for the group, but he does it without coming off as stupid or inept, which is especially nice in a comedy.  Annie Potts has a pretty minor role, but she is able to provide some laughs and gives the movie a little bit of the New York flavor that we would see more of in the sequel.  Last, but not least, William Atherton is completely successful as the short-sighted jerk who doesn't see the value of the Ghostbusters; like his weasel reporter role in Die Hard, Atherton does a great job playing a complete bastard.

This may look like an ensemble cast, but the film really belongs to Bill Murray.  He uses Aykroyd and Ramis --- two generally funny guys, mind you --- as little more than props in his scenes...and it works!  Murray's comic timing is at its best here, making even his blandest lines just a little funny.  He isn't as wacky as his Caddyshack role, or as outgoing as he was in Stripes, but I think this is probably Murray's most well-rounded early work.  This isn't his best acting role, mind you, but he is able to show charm, wittiness, boldness, cynicism, and a great talent for the understatement at different times in this film.  If there is one actor that benefited the most from director Ivan Reitman's experience filming comedies, it was definitely Murray.

Having stated that, I feel a little weird saying that my main criticism of this film is its reliance on Bill Murray.  That may not make a whole lot of sense, but let me try to explain.  Dan Aykroyd and Harold Ramis were not new to comedies at this point and both had written and acted in several movies and on television.  Both had worked with Murray before, too.  And yet, their roles seem extremely two-dimensional.  Yes, Aykroyd is occasionally a little funny, but it's mainly in response to something hilarious that Murray said.  Ramis, on the other hand, is dry to the point of flaking.  As a trio, they are fun to watch, but without Murray, these two can only hope to inch the plot forward with some vaguely scientific dialogue.  Of course, there's something to be said for giving a star some room to work.  I'm not trying to say that this was a bad choice, because it definitely works in this movie, but I just mourn the complete over-awesomeness that could have been if Aykroyd and Ramis had spent a little more time on their characters.

 Looking at the movie as a whole, I think this is the best comedy/sci-fi blend ever (although Men in Black is pretty good).  Even with some of the main actors contributing less than others, the acting is still great all around, with some fantastic bit parts and a good plot.