I can't say that I was super-excited for The Hobbit: An Unexpected Journey. Part of it had to do with my work schedule at the time I saw it --- a 12:01AM opening day showing during a time where I worked long and early hours every day --- and part of it had to do with the fact that I grew up with The Lord of the Rings books before I ever got around to The Hobbit. While The Hobbit is charming and fun, it's not epic awesomeness. Still, An Unexpected Journey was being made by the same people who made the excellent LotR trilogy, so there should be little to worry about, aside from a hilarious dose of homosexual undertones, right? I was a little uneasy, though. The Hobbit is not a particularly long book, and yet An Unexpected Journey is only the first part of a Hobbit trilogy, while the significantly larger The Lord of the Rings books were barely squeezed into one (very long) film each. Doesn't it feel like Peter Jackson is milking this one a little too much?
In this prequel to The Lord of the Rings trilogy, we follow the young Bilbo Baggins (played by Martin Freeman here and Ian Holm in LotR) as he is enticed by a wizard, Gandalf the Grey (Ian McKellen), to embark on a dangerous adventure. The goal is to help a clan of dwarves, led by Thorin Oakenshield (Richard Armitage), reclaim the home of their ancestors. Why does it need reclaiming? Well, dwarves like to mine riches from the earth. Dragons apparently like riches, too. When the wealth of Thorin's granddaddy became well-known, a dragon decided to move in and fricassee anyone who interrupted his enjoyment of his ill-gotten riches.
Artist interpretation
Of course, they're not going to take on a dragon all alone. To go along with Bilbo, Gandalf, and Thorin are a lot of other dwarves. In case the preview didn't illustrate that point to you, here's an alternate movie poster:
Which one of them is the hobbit?
Bilbo isn't really built for adventuring; he's a hobbit, which means he is small and inexperienced with weapons and the dangers that fill Middle-Earth. He's not ready to face trolls, orcs, or goblins, much less a dragon that could frighten battle-happy dwarves --- and he may never be ready. This is the tale of Bilbo's struggles to find his place in the group and in the world outside of his home in Hobbiton. Of course, something else important happens in The Hobbit: An Unexpected Journey: Bilbo finds that ring that everyone made such a fuss about in those other three hobbit-ish films.
The acting in The Hobbit: An Unexpected Journey is good, but this isn't really a movie built around individual performances. Martin Freeman plays a wonderful everyman, so casting him as the very suburban Bilbo was a good choice that paid off well. As the audience's POV character, he did a good job being confused and frightened for the audience, and I thought he conveyed his character's emotional journey rather well. Ian McKellen was good as Gandalf the Grey; he's obviously familiar with the part, but I liked that he was a little more temperamental and less wise in this film. Of the dwarves, Richard Armitage was by far the most impressive; it helps that he got to play a bad-ass and didn't have to wear goofy facial prosthetics, but Armitage was awfully good at brooding, too.
***Glower***
Ken Stott was the next most interesting dwarf, as the white-bearded right hand to Thorin. He didn't really do anything terribly cool, but he turned in one of the better acting performances in this series simply through his dialogue.
Stott was so good that I almost never laughed at the Cousin It under his nose
Oddly enough, those two cover most of the acting amongst the thirteen dwarf characters. You can argue that James Nesbitt had a few solid moments, or that Aidan Turner stuck out (if only because he looked like the heartthrob of the group), but they didn't really have much to do. The rest of the dwarves made little to no impression at all. A lot of actors from LotR came back for small parts, and they were all fine. Elijah Wood, Ian Holm, Hugo Weaving, Cate Blanchett, and Christopher Lee showed up, said a few lines, and were gone again. Andy Serkis reprised his role as Gollum and he was excellent. Serkis really does a great job every time he puts on a motion capture suit, and I hope he one day gets some recognition for the pioneering work he's doing (fun fact: Serkis also served as a second unit director on these movies). He doesn't steal the film, like he did in The Two Towers, but that's mainly due to screen time. Note to Peter Jackson: there's always more room in the script for Gollum.
He's like Jell-O in that way
The only other actor worth mentioning is former Doctor Who Sylvester McCoy, who got to play Radagast, the batty wizard that was apparently named by a twelve year-old in 1992. McCoy did a solid job with a goofy character, almost to the point where I forgot about the fake bird poop on his face.
Almost
The special effects were as stellar as you would expect from this series of films and these filmmakers. It kind of sucks that this movie revisits so many things that
we've seen before in Middle-Earth, because it gives a bit of a "been
there, seen that" feel to the film. Even with that in mind, the sets
--- particularly the ancestral dwarf home --- are all awesome. The CGI
was excellent, even in the large battle scenes that clearly didn't have
the actual actors fighting in them. I wasn't a big fan of the makeup on
the dwarves, though. Too many just looked silly, even if they are
faithful to how Tolkien wrote them. It's not a big deal, in the big scheme of things, but it irritated me that there were bad guys who looked dirty and creepy...
...and then there would be good guys who looked like complete cartoon characters.
This is actually one of the better-looking dwarves
I'm not entirely sure how I feel about Peter Jackson's work on The Hobbit. As far as his co-writing credit goes (the script was basically done by him and his partner, Fran Walsh), I was impressed that An Unexpected Journey felt like a complete story. Bilbo and Thorin had decently crafted character arcs, there was a natural ending point, and there was no cliffhanger ending. That's tough to do with source material that originally had only 310 pages --- and keep in mind that two more movies are on their way from that same material. I have no idea what the next two films will contain, but I'm alright with the contents of this one. If you're wondering where the hell Jackson and co. found the rest of the material to pad this story enough to get three movies out of it, that was touched on a bit in this interview Peter Jackson had on The Colbert Report:
As a director, I was a little less pleased with Peter Jackson. The tale was definitely told competently. The movie looked absolutely gorgeous, and the pacing was brisk; while my mind keeps telling me that this story was stretched out, it didn't feel that way when I was watching it. I wasn't a huge fan of the action sequences; without someone awesome to focus on (like Legolas in LotR), I was faced with a bunch of characters I didn't really care much about in situations that didn't seem all that dire. Admittedly, part of that impression is due to the fact that this movie looks so much like the Lord of the Rings movies that it suffers when you compare them by scale --- having fifteen good guys fighting a handful of orcs pales in comparison to the odds faced in LotR. But the problems are not just by comparison. Less than a third of this cast was fleshed out at all, so their survival meant little to me.
I only cared about the guy who isn't attending a rap-metal show at the Renaissance fair
That's on Jackson. There is no excuse to have all these characters left undeveloped, especially when there are three movies to fill. Another option would be to imply how unimportant some of them are, but each one has enough quirkiness to make the viewer wonder about them. This movie also suffered a bit from a lack of truly stellar bad guys. The goblin king was kind of gross, but he struck me as more of a bloated tumor than a credible threat.
He has a tumor the size of a grapefruit an obese cave dweller
The albino orc looked fairly cool, but he didn't get the chance to actually do anything cool. He just posed and growled. He was so underwhelming that the top Google image hits for him are either blurry or behind-the-scenes shots.
This was the best pic I could find of Azog, the Defiler. I mean "best" in every way possible.
Sure, Gollum was awesome (again), but he A) wasn't the primary threat B) only threatened Bilbo and C) obviously survived, along with Bilbo, because they are both in The Lord of the Rings.
My biggest complaint with The Hobbit: An Unexpected Journey, though, is with its tone. This story is not as epic as LotR, but it is being presented in the same way. As Stephen Colbert pointed out, Tolkien tried to go back and write an epic version of The Hobbit, but was later convinced that it was a bad idea. It seems odd that the filmmakers would make the same mistake. There's enough grandiosity in Middle-Earth to make this an epic tale, I suppose, but it just doesn't seem like the right fit.
It troubles Gandalf, too
I guess the easiest way to sum this movie up is to say that An Unexpected Journey is missing a lot of the charm that I expected to find, going into the movie. That doesn't mean that it is a bad movie, by any means. It's just not what I expected or, really, wanted in a film adaptation of The Hobbit. It is still a good movie and totally worth seeing. There is a lot to like here. In fact, there is just under three hours of movie to like here (and we have six more hours on the way!). It's just not as overwhelmingly, jaw-droppingly fantastic as the Lord of the Rings movies were. I think that is because this feels like a continuation of those films, instead of a new trilogy with its own identity. Hopefully, the sequels will course-correct that a little.
A quick aside on the format of The Hobbit: An Unexpected Journey: I have now seen this film in the standard 24 frames per second and in 3D 48 frames per second. The former was a much better experience for me. The 3D was fine when I saw it on opening night, but the action scenes looked terrible. However, my experience doesn't match up with any of the other complaints I've read online regarding the 48 fps presentation. Instead of looking like a video game, or looking "too real," or looking like the ClearMotion option on a Samsung TV, all the action looked like it was sped up. It felt like I was watching something out of the silent movie era, or at least an action scene from an early James Bond movie. My assumption is that someone played the 48 fps version of the movie at 24 fps (because that's how fast-motion scenes are conveyed in those other examples). If you have a better theory, I'd love to hear it.
I've done a little research and have concluded that there are four types of reactions for those that have seen The Hitchhiker's Guide to the Galaxy:
- those that have read author Douglas Adams' work and are relieved by this adaptation of it
- those that have read Adams' work and hate what happened between the page and the screen
- those that have not read the books and end up being charmed by the whimsical nature of the storytelling
- those that have not read the books and see this a a hit-or-miss movie with no story and little character development.
All of these reactions are justified, but they all miss the point. Like the book that it is based on, this movie is less about plot and more about how the story is told. The whos, wheres, and whys are largely inconsequential; the emphasis is on the delivery. And that delivery is excellent.
This is a story about how the world ends. I'll save you the suspense; aliens blow it up within the first ten minutes of the film to make room for an intergalactic highway. From there, our everyman point-of-view character, Arthur Dent (Martin Freeman), is taken on a pan-galactic adventure with his best friend, Ford Prefect (Mos Def). Ford was an undercover alien on Earth, doing research on the planet for his employer, the constantly updated and best-selling book in the universe (literally), The Hitchhiker's Guide to the Galaxy. Ford uses his hitchhiking skills to save Arthur and himself, and there their adventure begins. Before the movie ends, we find out the answer to "life, the universe and everything," what the smartest creatures on Earth are, and what it feels like to be a woman. For those of us that might be curious. On this adventure, they gain some new companions, including the last human female in the cosmos, Trillian (Zooey Deschanel), a chronically depressed robot (with Alan Rickman providing the voice while Warwick Davis manned the costume), and the President of the Galaxy (Sam Rockwell).
If that all sounds fairly random...well, it is. The primary plot device for this film is a spaceship that has an "Infinite Improbability Drive," which allows just about anything to happen in this movie. Randomness might not be great for a coherent plot, but it does help with some fantastic visuals. This movie doesn't do much with CGI special effects, instead opting for men in rubber suits, and it's a great choice. All the aliens in this movie look amazing, from the bovine Vogon race to Humma Kavula's (John Malkovich's) spindly lower body. These special effects choices were made, I think, not to impress you with the action sequences, but to be as funny and weird as the source material demanded. Could this movie have been made with an animated depressed robot, voiced by Alan Rickman? Of course. They could have gone the Scooby Doo route, but it's much funnier to see an actual person wobble around with such a top-heavy costume. Director Garth Jennings' only previous film work was on music videos, and it shows here. His concern is clearly on the visuals and the timing of little moments, not on the film as a cohesive whole. And he does an excellent job with that. This is one of the most visually exciting movies of the past decade; Hitchhiker's has it all, from aliens and robots, to an entire scene where the characters and setting have been turned into yarn.
The visuals would not hold up nearly as well without impeccable casting. Choosing Martin Freeman as the everyman character was a good move and Zooey Deschanel does a good job as a woman looking for the extraordinary. Mos Def does a fantastic job as Ford Prefect, showing a talent for timing an understatement that he hasn't used a lot since (the adorable Be Kind Rewind being the only notable exception). Sam Rockwell is hilarious as the bombastic airhead, President Zaphod Beeblebrox; I can totally understand his character annoying some viewers, but even his little gestures make me laugh here. If you're not perfectly entertained by those two interacting, then there's nothing I can do to make this a more pleasurable movie experience for you. Well, I guess I could point out the always awkward and charming Bill Nighy and his understated performance as a custom-made planet designer.
It is rare for a live action film to have the need for several voice actors, but this is an odd film. Voice acting is, nowadays at least, a hit or miss field. Movie studios usually want someone famous to lend their voice, regardless of how expressive that voice may be. Luckily, this movie has some of the best voice acting you will find in any movie. Ever. Alan Rickman as a droll, clinically depressed, super smart robot? Yes, please! Helen Mirren as the biggest, smartest, and fastest computer ever created? Sure, why not? Thomas Lennon as an inappropriately optimistic computer for a spaceship? That's an interesting casting choice, but it definitely works here. Rounding out the voice cast, Stephen Fry does a perfect job as the narrator of the story and the reader of any Hitchhiker's Guide entries.
Douglas Adams wrote the screenplay for this movie, but died before it went into production. The screenplay does differ significantly in parts from the book, but Adams made radical changes every time the story was adapted to a new medium (it's been on the radio and TV, as well), so that shouldn't be a big deal for rabid fans. This isn't a movie that is slavishly indebted to the book that it is based upon. This is a movie (written by the book's author) that understands the need for visuals to match the storytelling of the book. No, this isn't a great story. It is a lot of harmless fun, though.
